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Sunday, 17 January 2021

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i Festivais

26 to 31 Jan

Porto

IndieJúnior Allianz

Jaime Isidoro, divulgador, colecionador e artista

i Exposições Temporárias

25 Oct to 05 Jan | Espinho

Jaime Isidoro, divulgador, colecionador e artista

Museu Municipal de Espinho | 10:00h-17:00h, segunda a sexta-feira; 10:00h-13:30h e 14:30h-18:00h, sábados

"Dez anos volvidos sobre o desaparecimento de Jaime Isidoro (1924-2009), que carinhosamente ...

i Exposições Temporárias

25 Oct to 01 Dec | Gondomar

A. Dias Machado

Casa Branca de Gramido

i Exposições Temporárias

26 Oct to 30 Nov | Gondomar

Valter Hugo Mãe

Auditório Municipal de Gondomar

Valter Hugo Mãe é escritor, não é artista plástico. Os seus desenhos são modo de meditação. ...

i Teatro

26 Oct to 07 Feb | Porto

Palcos Instáveis / Companhia Instável

Teatro do Campo Alegre

26 Out 26 19.00h LEX II Catarina Ribeiro e Tijmen Teunissen - Instinto "Farfalle" / Ana Rita Xavier ...

i Etc

02 Nov to 03 Dec | Oliveira de Azeméis

Christmas Nativity Scene Contest

Biblioteca Municipal Ferreira de Castro | Library opening hours

No sentido de fomentar o espírito natalício, a Biblioteca Municipal Ferreira de Castro está a ...

Exposições Biblioteca do Anis Estrelado e Biblio.Juv – novembro 2019

i Exposições Temporárias

02 to 30 Nov | Oliveira de Azeméis

Exposições Biblioteca do Anis Estrelado e Biblio.Juv – novembro 2019

Biblioteca Municipal Ferreira de Castro | Horário de funcionamento da BMFC

Está patente, na Secção Infantojuvenil, uma seleção de documentos para empréstimo e leitura em ...

Leituras sobre… «Tolerância: Para haver respeito entre tod@s!»

i Exposições Temporárias

02 to 30 Nov | Oliveira de Azeméis

Reading Cicle of Documental Thematic Exhibition

Biblioteca Municipal Ferreira de Castro | Library opening hours

Está patente ao público, no átrio da biblioteca municipal, a exposição do Ciclo de Exposições ...

i Música

02 to 30 Nov | Valongo

Alma do Fado

Restaurantes concelhios e Forum Cultural de Ermesinde | 21:30h, dias 2,8,16,23 e 30/11

A Alma do Fado tem como objetivo incentivar a participação, descoberta e promoção de todos os ...

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Calendar

January
Su	Mo	Tu	We	Th	Fr	Sa
					1 Jan 01, 2021 › 1820. Liberal Revolution of Porto › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › Crib Contest Exhibition 2020 › ELA › Espinho’s Municipal Museum › Estudos de Luz (Light Studies) › Gabriela Costa – Cribs › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › New Year’s Concert › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Século Monstro (Monster Century) › The Hospital Pharmacy › The Traditional Crib in Póvoa de Varzim › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	2 Jan 02, 2021 › 1820. Liberal Revolution of Porto › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › Crib Contest Exhibition 2020 › ELA › Espinho’s Municipal Museum › Estudos de Luz (Light Studies) › From Clay Came the Crib in Portuguese Sculpture › Gabriela Costa – Cribs › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Traditional Crib in Póvoa de Varzim › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley
3 Jan 03, 2021 › 1820. Liberal Revolution of Porto › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › Crib Contest Exhibition 2020 › ELA › Espinho’s Municipal Museum › Estudos de Luz (Light Studies) › From Clay Came the Crib in Portuguese Sculpture › Gabriela Costa – Cribs › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Traditional Crib in Póvoa de Varzim › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	4 Jan 04, 2021 › 1820. Liberal Revolution of Porto › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › Crib Contest Exhibition 2020 › ELA › Espinho’s Municipal Museum › Estudos de Luz (Light Studies) › From Clay Came the Crib in Portuguese Sculpture › Gabriela Costa – Cribs › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Traditional Crib in Póvoa de Varzim › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	5 Jan 05, 2021 › 1820. Liberal Revolution of Porto › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › Crib Contest Exhibition 2020 › ELA › Espinho’s Municipal Museum › Estudos de Luz (Light Studies) › From Clay Came the Crib in Portuguese Sculpture › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Traditional Crib in Póvoa de Varzim › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	6 Jan 06, 2021 › 1820. Liberal Revolution of Porto › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › Crib Contest Exhibition 2020 › ELA › Espinho’s Municipal Museum › Estudos de Luz (Light Studies) › From Clay Came the Crib in Portuguese Sculpture › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Traditional Crib in Póvoa de Varzim › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	7 Jan 07, 2021 › 1820. Liberal Revolution of Porto › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › As Três Irmãs (Three Sisters) › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › Crib Contest Exhibition 2020 › ELA › Espinho’s Municipal Museum › Estudos de Luz (Light Studies) › From Clay Came the Crib in Portuguese Sculpture › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	8 Jan 08, 2021 › 1820. Liberal Revolution of Porto › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › As Três Irmãs (Three Sisters) › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › Crib Contest Exhibition 2020 › ELA › Espinho’s Municipal Museum › Estudos de Luz (Light Studies) › From Clay Came the Crib in Portuguese Sculpture › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	9 Jan 09, 2021 › 1820. Liberal Revolution of Porto › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › As Três Irmãs (Three Sisters) › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › Crib Contest Exhibition 2020 › ELA › Espinho’s Municipal Museum › Estudos de Luz (Light Studies) › From Clay Came the Crib in Portuguese Sculpture › Grau Zero da Companhia › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley
10 Jan 10, 2021 › 1820. Liberal Revolution of Porto › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › As Três Irmãs (Three Sisters) › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › ELA › Espinho’s Municipal Museum › Estudos de Luz (Light Studies) › From Clay Came the Crib in Portuguese Sculpture › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › Three Kings’ Concert – "Amália: com que voz..." › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	11 Jan 11, 2021 › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › As Três Irmãs (Three Sisters) › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › ELA › Espinho’s Municipal Museum › Estudos de Luz (Light Studies) › From Clay Came the Crib in Portuguese Sculpture › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	12 Jan 12, 2021 › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › As Três Irmãs (Three Sisters) › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › ELA › Espinho’s Municipal Museum › Estudos de Luz (Light Studies) › From Clay Came the Crib in Portuguese Sculpture › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	13 Jan 13, 2021 › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › Amaura › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › As Três Irmãs (Three Sisters) › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Canzone per Ornella + Postcards from Vietnam › Commander António José de Oliveira Júnior – The Visionary Businessman › Da Coação (Bullying) à empatia › ELA › Espinho’s Municipal Museum › Estudos de Luz (Light Studies) › From Clay Came the Crib in Portuguese Sculpture › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › Paiva Walkways › Paper Museum › Paper Museum › Paralelo Warm-Up with Ester Ribeiro & Beatriz Valentim › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	14 Jan 14, 2021 › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › As Três Irmãs (Three Sisters) › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Canzone per Ornella + Postcards from Vietnam › Commander António José de Oliveira Júnior – The Visionary Businessman › Da Coação (Bullying) à empatia › ELA › Ema › Espinho’s Municipal Museum › Estudos de Luz (Light Studies) › From Clay Came the Crib in Portuguese Sculpture › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	15 Jan 15, 2021 › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › As Três Irmãs (Three Sisters) › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Canzone per Ornella + Postcards from Vietnam › Commander António José de Oliveira Júnior – The Visionary Businessman › Da Coação (Bullying) à empatia › Dancem!21 (Dance!21) › ELA › Espinho’s Municipal Museum › Estudos de Luz (Light Studies) › From Clay Came the Crib in Portuguese Sculpture › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	16 Jan 16, 2021 › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › As Três Irmãs (Three Sisters) › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › Dancem!21 (Dance!21) › ELA › Espinho’s Municipal Museum › Estudos de Luz (Light Studies) › From Clay Came the Crib in Portuguese Sculpture › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › Não é só Gaivotas em Terra (Much more than seagulls on land) › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley
17 Jan 17, 2021 › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › Dancem!21 (Dance!21) › ELA › Era uma Vez as Fogaceiras (Once upon a time there were the sweet loaf carriers) › Espinho’s Municipal Museum › Estudos de Luz (Light Studies) › From Clay Came the Crib in Portuguese Sculpture › Giant Cascade › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	18 Jan 18, 2021 › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › Dancem!21 (Dance!21) › ELA › Espinho’s Municipal Museum › From Clay Came the Crib in Portuguese Sculpture › Giant Cascade › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	19 Jan 19, 2021 › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › Dancem!21 (Dance!21) › ELA › Espinho’s Municipal Museum › From Clay Came the Crib in Portuguese Sculpture › Giant Cascade › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	20 Jan 20, 2021 › 500th Anniversary of the Maia City’s Charter › @com.finados › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Caixa para guardar o vazio (Box to Keep the Void) › Commander António José de Oliveira Júnior – The Visionary Businessman › Dancem!21 (Dance!21) › ELA › Espinho’s Municipal Museum › From Clay Came the Crib in Portuguese Sculpture › Giant Cascade › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › Noite de Primavera (Spring Night) › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	21 Jan 21, 2021 › 500th Anniversary of the Maia City’s Charter › @com.finados › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Caixa para guardar o vazio (Box to Keep the Void) › Commander António José de Oliveira Júnior – The Visionary Businessman › Dancem!21 (Dance!21) › ELA › Espinho’s Municipal Museum › From Clay Came the Crib in Portuguese Sculpture › Giant Cascade › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › Noite de Primavera (Spring Night) › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	22 Jan 22, 2021 › 500th Anniversary of the Maia City’s Charter › @com.finados › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Caixa para guardar o vazio (Box to Keep the Void) › Commander António José de Oliveira Júnior – The Visionary Businessman › Dancem!21 (Dance!21) › ELA › Espinho’s Municipal Museum › From Clay Came the Crib in Portuguese Sculpture › Giant Cascade › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › Noite de Primavera (Spring Night) › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	23 Jan 23, 2021 › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Caixa para guardar o vazio (Box to Keep the Void) › Commander António José de Oliveira Júnior – The Visionary Businessman › Dancem!21 (Dance!21) › ELA › Espinho’s Municipal Museum › Falaise › From Clay Came the Crib in Portuguese Sculpture › Giant Cascade › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Noite de Primavera (Spring Night) › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley
24 Jan 24, 2021 › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › Dancem!21 (Dance!21) › ELA › Espinho’s Municipal Museum › Falaise › From Clay Came the Crib in Portuguese Sculpture › Giant Cascade › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	25 Jan 25, 2021 › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › ELA › Espinho’s Municipal Museum › From Clay Came the Crib in Portuguese Sculpture › Giant Cascade › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	26 Jan 26, 2021 › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › ELA › Espinho’s Municipal Museum › Giant Cascade › House of Birthing Stones › Identity and Territory › IndieJúnior Allianz › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	27 Jan 27, 2021 › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › ELA › Espinho’s Municipal Museum › Giant Cascade › House of Birthing Stones › Identity and Territory › IndieJúnior Allianz › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	28 Jan 28, 2021 › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › ELA › Espinho’s Municipal Museum › Giant Cascade › House of Birthing Stones › Há palavras acesas como barcos › Identity and Territory › IndieJúnior Allianz › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › O Ninho › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › Tiago Nacarato › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	29 Jan 29, 2021 › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › Bownd - Catarina Campos & Melissa Sousa › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › ELA › Espinho’s Municipal Museum › Estreito/Estrecho › Giant Cascade › House of Birthing Stones › Identity and Territory › IndieJúnior Allianz › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Ricardo Toscano Quarteto "A Love Supreme" › S. Sebastião - o Piedoso (Saint Sebastian – the Pious) › Slat Museum › Sobrosa Ways › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	30 Jan 30, 2021 › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › Ba Ba Baila Plim › Bownd - Catarina Campos & Melissa Sousa › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › ELA › Espinho’s Municipal Museum › Estreito/Estrecho › Giant Cascade › House of Birthing Stones › Identity and Territory › IndieJúnior Allianz › Julio and the memory of popular art › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › S. Sebastião - o Piedoso (Saint Sebastian – the Pious) › Slat Museum › Sobrosa Ways › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion
31 Jan 31, 2021 › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › E tudo o morto levou (Gone with the dead man) › ELA › Espinho’s Municipal Museum › Giant Cascade › House of Birthing Stones › Identity and Territory › IndieJúnior Allianz › Julio and the memory of popular art › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › S. Sebastião - o Piedoso (Saint Sebastian – the Pious) › Slat Museum › Sobrosa Ways › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion

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					1 Jan 01, 2021 › 1820. Liberal Revolution of Porto › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › Crib Contest Exhibition 2020 › ELA › Espinho’s Municipal Museum › Estudos de Luz (Light Studies) › Gabriela Costa – Cribs › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › New Year’s Concert › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Século Monstro (Monster Century) › The Hospital Pharmacy › The Traditional Crib in Póvoa de Varzim › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	2 Jan 02, 2021 › 1820. Liberal Revolution of Porto › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › Crib Contest Exhibition 2020 › ELA › Espinho’s Municipal Museum › Estudos de Luz (Light Studies) › From Clay Came the Crib in Portuguese Sculpture › Gabriela Costa – Cribs › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Traditional Crib in Póvoa de Varzim › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley
3 Jan 03, 2021 › 1820. Liberal Revolution of Porto › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › Crib Contest Exhibition 2020 › ELA › Espinho’s Municipal Museum › Estudos de Luz (Light Studies) › From Clay Came the Crib in Portuguese Sculpture › Gabriela Costa – Cribs › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Traditional Crib in Póvoa de Varzim › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	4 Jan 04, 2021 › 1820. Liberal Revolution of Porto › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › Crib Contest Exhibition 2020 › ELA › Espinho’s Municipal Museum › Estudos de Luz (Light Studies) › From Clay Came the Crib in Portuguese Sculpture › Gabriela Costa – Cribs › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Traditional Crib in Póvoa de Varzim › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	5 Jan 05, 2021 › 1820. Liberal Revolution of Porto › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › Crib Contest Exhibition 2020 › ELA › Espinho’s Municipal Museum › Estudos de Luz (Light Studies) › From Clay Came the Crib in Portuguese Sculpture › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Traditional Crib in Póvoa de Varzim › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	6 Jan 06, 2021 › 1820. Liberal Revolution of Porto › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › Crib Contest Exhibition 2020 › ELA › Espinho’s Municipal Museum › Estudos de Luz (Light Studies) › From Clay Came the Crib in Portuguese Sculpture › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Traditional Crib in Póvoa de Varzim › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	7 Jan 07, 2021 › 1820. Liberal Revolution of Porto › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › As Três Irmãs (Three Sisters) › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › Crib Contest Exhibition 2020 › ELA › Espinho’s Municipal Museum › Estudos de Luz (Light Studies) › From Clay Came the Crib in Portuguese Sculpture › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	8 Jan 08, 2021 › 1820. Liberal Revolution of Porto › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › As Três Irmãs (Three Sisters) › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › Crib Contest Exhibition 2020 › ELA › Espinho’s Municipal Museum › Estudos de Luz (Light Studies) › From Clay Came the Crib in Portuguese Sculpture › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	9 Jan 09, 2021 › 1820. Liberal Revolution of Porto › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › As Três Irmãs (Three Sisters) › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › Crib Contest Exhibition 2020 › ELA › Espinho’s Municipal Museum › Estudos de Luz (Light Studies) › From Clay Came the Crib in Portuguese Sculpture › Grau Zero da Companhia › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley
10 Jan 10, 2021 › 1820. Liberal Revolution of Porto › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › As Três Irmãs (Three Sisters) › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › ELA › Espinho’s Municipal Museum › Estudos de Luz (Light Studies) › From Clay Came the Crib in Portuguese Sculpture › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › Three Kings’ Concert – "Amália: com que voz..." › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	11 Jan 11, 2021 › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › As Três Irmãs (Three Sisters) › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › ELA › Espinho’s Municipal Museum › Estudos de Luz (Light Studies) › From Clay Came the Crib in Portuguese Sculpture › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	12 Jan 12, 2021 › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › As Três Irmãs (Three Sisters) › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › ELA › Espinho’s Municipal Museum › Estudos de Luz (Light Studies) › From Clay Came the Crib in Portuguese Sculpture › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	13 Jan 13, 2021 › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › Amaura › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › As Três Irmãs (Three Sisters) › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Canzone per Ornella + Postcards from Vietnam › Commander António José de Oliveira Júnior – The Visionary Businessman › Da Coação (Bullying) à empatia › ELA › Espinho’s Municipal Museum › Estudos de Luz (Light Studies) › From Clay Came the Crib in Portuguese Sculpture › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › Paiva Walkways › Paper Museum › Paper Museum › Paralelo Warm-Up with Ester Ribeiro & Beatriz Valentim › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	14 Jan 14, 2021 › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › As Três Irmãs (Three Sisters) › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Canzone per Ornella + Postcards from Vietnam › Commander António José de Oliveira Júnior – The Visionary Businessman › Da Coação (Bullying) à empatia › ELA › Ema › Espinho’s Municipal Museum › Estudos de Luz (Light Studies) › From Clay Came the Crib in Portuguese Sculpture › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	15 Jan 15, 2021 › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › As Três Irmãs (Three Sisters) › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Canzone per Ornella + Postcards from Vietnam › Commander António José de Oliveira Júnior – The Visionary Businessman › Da Coação (Bullying) à empatia › Dancem!21 (Dance!21) › ELA › Espinho’s Municipal Museum › Estudos de Luz (Light Studies) › From Clay Came the Crib in Portuguese Sculpture › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	16 Jan 16, 2021 › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › As Três Irmãs (Three Sisters) › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › Dancem!21 (Dance!21) › ELA › Espinho’s Municipal Museum › Estudos de Luz (Light Studies) › From Clay Came the Crib in Portuguese Sculpture › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › Não é só Gaivotas em Terra (Much more than seagulls on land) › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley
17 Jan 17, 2021 › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › Dancem!21 (Dance!21) › ELA › Era uma Vez as Fogaceiras (Once upon a time there were the sweet loaf carriers) › Espinho’s Municipal Museum › Estudos de Luz (Light Studies) › From Clay Came the Crib in Portuguese Sculpture › Giant Cascade › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	18 Jan 18, 2021 › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › Dancem!21 (Dance!21) › ELA › Espinho’s Municipal Museum › From Clay Came the Crib in Portuguese Sculpture › Giant Cascade › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	19 Jan 19, 2021 › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › Dancem!21 (Dance!21) › ELA › Espinho’s Municipal Museum › From Clay Came the Crib in Portuguese Sculpture › Giant Cascade › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	20 Jan 20, 2021 › 500th Anniversary of the Maia City’s Charter › @com.finados › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Caixa para guardar o vazio (Box to Keep the Void) › Commander António José de Oliveira Júnior – The Visionary Businessman › Dancem!21 (Dance!21) › ELA › Espinho’s Municipal Museum › From Clay Came the Crib in Portuguese Sculpture › Giant Cascade › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › Noite de Primavera (Spring Night) › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	21 Jan 21, 2021 › 500th Anniversary of the Maia City’s Charter › @com.finados › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Caixa para guardar o vazio (Box to Keep the Void) › Commander António José de Oliveira Júnior – The Visionary Businessman › Dancem!21 (Dance!21) › ELA › Espinho’s Municipal Museum › From Clay Came the Crib in Portuguese Sculpture › Giant Cascade › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › Noite de Primavera (Spring Night) › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	22 Jan 22, 2021 › 500th Anniversary of the Maia City’s Charter › @com.finados › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Caixa para guardar o vazio (Box to Keep the Void) › Commander António José de Oliveira Júnior – The Visionary Businessman › Dancem!21 (Dance!21) › ELA › Espinho’s Municipal Museum › From Clay Came the Crib in Portuguese Sculpture › Giant Cascade › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Nadir Afonso: Space and Time › Noite de Primavera (Spring Night) › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	23 Jan 23, 2021 › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Caixa para guardar o vazio (Box to Keep the Void) › Commander António José de Oliveira Júnior – The Visionary Businessman › Dancem!21 (Dance!21) › ELA › Espinho’s Municipal Museum › Falaise › From Clay Came the Crib in Portuguese Sculpture › Giant Cascade › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Noite de Primavera (Spring Night) › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley
24 Jan 24, 2021 › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › Dancem!21 (Dance!21) › ELA › Espinho’s Municipal Museum › Falaise › From Clay Came the Crib in Portuguese Sculpture › Giant Cascade › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › Século Monstro (Monster Century) › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › Têxteis Lantal – 40 years of velvet in Portugal › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	25 Jan 25, 2021 › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › ELA › Espinho’s Municipal Museum › From Clay Came the Crib in Portuguese Sculpture › Giant Cascade › House of Birthing Stones › Identity and Territory › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	26 Jan 26, 2021 › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › ELA › Espinho’s Municipal Museum › Giant Cascade › House of Birthing Stones › Identity and Territory › IndieJúnior Allianz › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	27 Jan 27, 2021 › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › ELA › Espinho’s Municipal Museum › Giant Cascade › House of Birthing Stones › Identity and Territory › IndieJúnior Allianz › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	28 Jan 28, 2021 › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › ELA › Espinho’s Municipal Museum › Giant Cascade › House of Birthing Stones › Há palavras acesas como barcos › Identity and Territory › IndieJúnior Allianz › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › O Ninho › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Slat Museum › Sobrosa Ways › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › Tiago Nacarato › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	29 Jan 29, 2021 › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › Bownd - Catarina Campos & Melissa Sousa › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › ELA › Espinho’s Municipal Museum › Estreito/Estrecho › Giant Cascade › House of Birthing Stones › Identity and Territory › IndieJúnior Allianz › Julio and the memory of popular art › Life in Espinho during the “Estado Novo” period › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Quatro Tempos e Mais Um › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › Ricardo Toscano Quarteto "A Love Supreme" › S. Sebastião - o Piedoso (Saint Sebastian – the Pious) › Slat Museum › Sobrosa Ways › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion › “de quem ama” - Artists from the Sousa Valley	30 Jan 30, 2021 › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › Ba Ba Baila Plim › Bownd - Catarina Campos & Melissa Sousa › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › ELA › Espinho’s Municipal Museum › Estreito/Estrecho › Giant Cascade › House of Birthing Stones › Identity and Territory › IndieJúnior Allianz › Julio and the memory of popular art › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › S. Sebastião - o Piedoso (Saint Sebastian – the Pious) › Slat Museum › Sobrosa Ways › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion
31 Jan 31, 2021 › 500th Anniversary of the Maia City’s Charter › Alberto Carneiro 1997-2014 Sculpture Garden › António Pedro Vicente Museum Centre › Archaeology \| Wine and Linen Production Processes \| Black Clay \| Nalda Faïence › Arestal Villages - PR5 › Arouca Geopark › CIPA – Afurada’s Heritage Interpretative Centre › COVID 19 › Commander António José de Oliveira Júnior – The Visionary Businessman › E tudo o morto levou (Gone with the dead man) › ELA › Espinho’s Municipal Museum › Giant Cascade › House of Birthing Stones › Identity and Territory › IndieJúnior Allianz › Julio and the memory of popular art › Liminal › Lourosa Zoo › MIEC - Santo Tirso International Museum of Contemporary Sculpture › Montanhas Mágicas (Magical Mountains) – Itinerary 6 › Museu Nacional Soares dos Reis › Museu das Marionetas do Porto (Marionette Museum) › Paiva Walkways › Paper Museum › Paper Museum › Parque Biológico de Gaia (Gaia Biological Park) › Parque das Azenhas (Park) › Póvoa de Varzim in the 19th century › Que horas são que horas uma galeria de histórias \| Nets of Hyphae Diana Policarpo › S. Sebastião - o Piedoso (Saint Sebastian – the Pious) › Slat Museum › Sobrosa Ways › The Hospital Pharmacy › The Unknown History of Valongo’s Black Stone › UIVO 10 › Vieira Araújo – The Man and the Businessman › Water Pavilion