From an absolutely spiritual and philosophical point of view, the name of this project, as well as my eight compositions, were influenced by the culture of Japan in the 10th century, when the Samurai were at their peak, and ended up being the source of my inspiration. As I think is obvious, these influences will always be abstract and inherent and free of any value judgement. They made perfect sense to me, because it was in them that I felt a strong motive for creative inspiration, which helped to develop bridges between the artistic abstract and the scientific and academic concrete.