In this work, the artist offers a critical view of agricultural monoculture: she describes fields fragmented by lines, disappearing horizons, subsoils contaminated by chemicals — ‘poisons that penetrate the soil,’ as she herself describes it. The artist articulates repetitive photographic images with industrial gestures, creating a landscape that oscillates between the microscopic and the cosmic. In doing so, she proposes a reflection on the artificialisation of nature, the sterility of genetically modified seeds and the alienation of an environment transformed by the logic of productivity.