In the artist’s own words: “These Incomplete Cartographies evoke subjective spaces, latent states, or emotional and affective fragments. They are open-ended visual constructions, maps without outlines, where the landscape suggests itself without taking shape, embracing the unfinished, doubt and slowness. They propose a visual experience of suspension: an invitation to a slow gaze, to silent 'listening', to the perception of what is almost lost — or of what, in that almost, becomes fully visible. A liminal interlude between the beginning of something and its actual emergence, or the moment when that concrete something begins to fade away.”