In addition to its auditory dimension, sound has weight, movement and force. A physical force that goes beyond hearing itself and acts on the body, which receives and reacts to its vibrations, a tangible presence in the space around us. The choreographic structure composed of takes, defined as frames of the moment, combines reality and fiction, extending the physical space in which the action and sound occur, creating dialogues between what is heard and what is seen – or not seen. Sound has a history in itself, and the body incessantly searches for a story.